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Between and Mortarboard

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19 UMMA Objects
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This print shows a festive, large, dense crowd of people at a beach. Some figures on the right side of the print appear to be climbing on top of each other in a human pyramid. To the left is a bridge or boardwalk that is also crowded with people.
Reginald Marsh (American (North American))
Coney Island Beach
1934
Museum Purchase
1956/1.52
<p>Plain white Ro nagajuban, wears under&nbsp;sheer formal black funerary (mofuku) Ro kimono<br /> (2.487.1)</p>
Japanese (Japanese (culture or style))
Lined Kimono
20th century
Gift of Howard and Patricia Yamaguchi
2013/2.487.2
<p>Silk Turquoise fukuro (single sided) obi made of light material containing thin silver stripes and interwoven silver and floral brocades.</p>
Japanese (Japanese (culture or style))
Obi
20th century
Gift of Howard and Patricia Yamaguchi
2013/2.371
<p>black summer Ro obi with interwoven white, gold, and red daisies.</p>
Japanese (Japanese (culture or style))
Obi
1925 – 1999
Gift of Mrs. Kazuko Miyake
2016/2.22
<p>Sheer black Ro summer Obi with eight embroidered silver-beige and various blue modified &ldquo;Kotobuki&rdquo;.</p>
Japanese (Japanese (culture or style))
Obi
1925 – 1999
Gift of Mrs. Kazuko Miyake
2016/2.29
View of a large estate taken from the garden.
British;Meatyard
Osborne House, Isle of Wight
1860 – 1870
Gift of Mr. and Mrs. W. Howard Bond
1987/1.330
This six-fold screen, a half of a pair, is meant to represent six of the twelve months of the year, with keen attention paid to the birds and flowers associated with each. Although this screen bears Kano Tan&rsquo;yu&rsquo;s signature, it was probably created by his studio or by followers working in this famous artist&rsquo;s style.
One of a pair of six-fold screens
19th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1965/1.178
These panels represent six of the twelve months. The panels each have calligraphy and a red seal in one corner. In each panel there is a bird and a type of plant, which are suggestive of particular months. On the top left panel there is bamboo, the bow of the boat with a small lamp attached to it, and a type of water fowl. In the bottom middle panel is a blooming sakura tree and a pheasant. In the bottom left panel is blue and white wisteria ans small sparrows. In the bottom right panel there is a willow slowly coming back to life after winter over a thatched building.
One of a pair of six-fold screens
19th century
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1965/1.179
<p>&ldquo;Kitsuke Komono&rdquo; accessories for putting on Kimono.</p>
Japanese (Japanese (culture or style))
Various undergarments - long white padding
Gift of Howard and Patricia Yamaguchi
2013/2.524.7
<p>Dark cyan fukuro (single-sided) Sha obi with interwoven gold and silver (floral/foliage?) motif patterning.</p>
Japanese (Japanese (culture or style))
Obi
1925 – 1999
Gift of Mrs. Kazuko Miyake
2016/2.55
A small figure is shown near a ship on the water. A building or house is partially hidden by hills. Trees, mountains, and clouds are strewn across the landscape with bold brishwork.
Sesshū Tōyō
Summer Landscape (pair with Winter Landscape, 1970/2.151)
1467 – 1532
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1970/2.150
Single layer (hitoe) white silk weft with silver-coated threads for warp; appliqued patches in kinran brocade (paper, coated with gold in several tones) featuring rhododendrum blossoms.
Japanese (Japanese (culture or style))
Silvery white hitoe obi for summer with appliquéd patches of Saga brocade with rhododendrum blossom (shakunage) design
1960 – 1970
Gift of Howard and Patricia Yamaguchi
2005/1.338
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